Reincidentes : “Rosas en el mar”

On December 17, 2013, in Rock, Spain, Spanish lang, by admin

Videoclip de la versión de “Rosas en el mar” (original de Aute) incluida en el disco “Aniversario” de la banda sevillana Reincidentes.

Más información en http://www.reincidentes-sca.es

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Descaro : “Ladrona de almas”

On December 10, 2013, in Punk, Rock, Spain, Spanish lang, by admin

Descaro, “Ladrona de almas”, single adelanto de su nuevo disco “Vidas furtivas”.

El nuevo disco de DESCARO “Vidas furtivas” es disponible en : http://www.eltridente.es/393_descaro

Artista: DESCARO
Canción: Ladrona de almas
Álbum: Vidas furtivas (Maldito Digital, 2013)
Maldito Records (c)

Bio

Es en 2003 donde se empieza a formar la base de lo que a día de hoy es DESCARO, a puerta cerrada y con la cabeza llena de pájaros, hadas, sueños e inquietudes, es como Francisco A. (Gato) Ventura comienza a componer los temas que verían la luz en su primer disco en 2006 (“Qué será”), Rock descarado para mentes sin complejos. Años de giras y trabajo, junto a Jorge Gómez, que se une en 2007 y desde entonces, inseparable compañero de batallas, codeándose con grandes bandas y artistas como Medina Azahara, Marea, Poncho K, Manolo Chinato, entre otros dan lugar a lo que es el segundo trabajo de estudio de la banda cordobesa.

Vidas furtivas ha sido grabado bajo la batuta de Paco Ventura (Medina Azahara) productor y padre de la criatura entre 2010 y 2011 en Córdoba y masterizado por José Rubio (ex-Warcry, Trilogy, etc) en Galicia. En él se recogen doce temas llenos de sentimientos desgarradores y poesías que juegan con la lógica, predominando el Rock Urbano en el corte general pero con influencias de toda índole, desde el Flamenco, hasta el Metal, pasando por el Heavy, notándose una evolución clara y una madurez manifiesta tanto en letras como en composición musical, pero sin desviarse del Rockanroll que es la madre del proyecto.

Abriendo con “Ladrona de almas”, una huída de las musas que no dejan dormir, continuando con “Alas en mis pies”, un canto a la libertad interna, complementado con “Desenganchao”, se dice adiós a las ataduras, donde colaboran Paco Ventura y Manuel Ibáñez (Medina Azahara). En “Te Odio” se deja ver la influencia metal donde se demuestra que lo que se sangra con el corazón puede salir por la boca en forma de canción. “Y aprendo a volar”, nos hace despegar los pies del suelo para ponernos en órbita. En “Rojo Oscuro” se canta a la sensación que produce ver marchar la vida poco a poco y sin poder agarrarla, en clave de Flamenco y Rock. “Cabeza hueca”, es una paradoja de cómo perder los papeles a sabiendas de ello. “Detrás de la piel” es un corazón abierto de par en par, donde simplificando el mundo todo se traduce a la pureza de la esencia humana. En “Piedras”, la poesía le hace el amor a las guitarras, donde la espesa voz de Kutxi Romero pone el colofón a uno de los cortes más intensos del disco, con el permiso de “Papel Mojado”, donde se nos queda el corazón en vilo: “Rabioso abrazo del silencio en lejanía, patada al cielo y volteretas de entropía”, cambiar la vida a golpe de corazón. Es a “Dolores” a quien le recita Manolo Chinato en el penúltimo corte, Rock melódico con toques clásicos que emociona de principio a fin. El último corte es algo así como un bonus track, acústico donde “Como la primera vez” podemos escuchar la voz desnuda de Gato, sin más aderezo que el sentimiento y prometiendo que el silencio ha sido solo imaginario.

En la versión digital, ya que el sello donde se lanza es Maldito Digital se apuesta por un tema más que tendréis que descubrir en los medios digitales.

Alma, vida, poesía y rockanroll, del corazón al mundo entero, esto es Vidas Furtivas, esto es Descaro.

_____________________________
http://www.facebook.com/descarorock
http://www.malditorecords.net

Descaro

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KEROSIN, “Everything Is OK” / “ВСЕ ОК” (official clip 2013 / официальный клип 2013).
Track taken from the 2013 album “20 13”.
Punk rock from Moscow.

Director and cameraman: Eldar Asanov / Режиссер и оператор: Эльдар Асанов
Idea: Sasha Rock’n’Roll, Eldar Asanov / Идея: Саша Рок’н’Ролл, Эльдар Асанов
Shooting place: club Duma / Место съемок: клуб Дума – http://clubduma.ru/

In Roles / В ролях:
SUE – beauty of Russia, athlete and Princess / СЬЮ- краса России, спортсменка и принцесса
ARCHIP legend Boogie-woogie / АРХИП- легенда буги-вуги
ANYA АЛКОРАЙД – bartender devil / АНЯ АЛКОРАЙД- бармен дьявол
SASHA BODROV – bear / САША БОДРОВ- медведь

KEROSIN

www.kerosin13.ru
http://vk.com/kerosin13
http://23god.ru

Kerosin

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Malemute Kid, “Don’t Talk the Scene”, on Noreason Records.

Director Name: Ame Ray Vids
Director Link: http://www.amerayvids.com/

Bio

Born on 2009, Malemute Kid is a four-piece Italian band from Torino, inspired by 90’s American punk-rock (Lifetime and Kid Dynamite above all) but with some modern influences and a strong personality.

After having cut their teeth at numerous shows between Italy and Europe, opening for such bands as Polar Bear Club, VRGNS, Nothington and Astpai, on December 2011 they released a self-titled 7″ with the Italian label Raining Records.

On winter of 2013 they recorded five unreleased new songs, mixed by Brian McTernan (Hot Water Music, Strike Anywhere, Polar Bear Club and much others) on Salad Days Studio, Baltimore.

Malemute Kid :

http://malemutekidblog.tumblr.com/
https://www.facebook.com/malemutekid
http://malemutekid.bandcamp.com/

Noreason Records :

http://noreasonrecords.blogspot.it/

Malemute Kid

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Flatfoot 56 : “Brotherhood”

On December 5, 2013, in Celtic, English lang, Punk, USA, by admin


Flatfoot 56, “Brotherhood”, Celtic Punk from Chicago, USA.

Bio

Flatfoot 56 is a Celtic punk band from Chicago, Illinois. The group’s use of Scottish Highland bagpipes has led to their classification as a Celtic punk band, comparable to Dropkick Murphys or Flogging Molly.

Since the year 2000, FLATFOOT 56 have steadily unleashed a rollicking barrage of Celtic punk and folk-tinged hardcore from the South Side of Chicago to an international audience with intense and positive party-like energy. Coinciding with their 10-year anniversary, Flatfoot launched the release of their 3rd label-backed studio effort, Black Thorn, on March 30, 2010.

Led by spirited front man Tobin Bawinkel (Vocals/Guitar), along with brothers Justin (Drums), and Kyle (Bass), and multi-instrumentalists Eric McMahon (Bagpipes/Guitar) and Brandon Good (Mandolin/Guitar), the band is fueled by a sense of camaraderie that directly translates to their die-hard fans and highly energetic live shows. “We really try to create a positive environment every time we play so people feel comfortable and can let loose. It’s an experience that everyone is a part of,” explains Tobin.

Produced by the Street Dogs’ Johnny Rioux, Black Thorn tightly packs the quartet’s eclectic and driving musical charge into thirteen tracks that celebrate the pride of the working class and their Chicago roots. A collection of songs that delves into weighty thematic content, Tobin explains that the cohesive theme of Black Thorn is a fundamentally universal one. “Everyone goes through hardships, but you aren’t alone. Punk rock is about community and brotherhood. This record is our contribution to that.” As cathartic as it is ambitious, Black Thorn is an emphatic assault that remains vintage Flatfoot in its effortless combination of Celtic instrumentation and street corner punk rock. Bagpipes and mandolins remain just as vital as drums and guitars in defining Flatfoot’s sound.

While other bands run the risk of turning their message into overbearing banter from high on the soapbox, FLATFOOT 56 remain true to their ability to convey the profound all while allowing fans to get lost in the sheer energy of the music. The band’s multi-faceted approach to their craft, both in substance and in presentation, ensures that from the novice to the die-hard fan, everyone walks away with a reason to come back. After ten years of tour vans, dive bars, late nights, diverse crowds, broken bones, blood, sweat, and tears, FLATFOOT 56 offers sincere semblance of the tradition behind the music. When you have a reason to sing, you will sing louder. And when you have a reason to dance, you will bring the house down brick by brick.

The band’s sonic arsenal, which includes classic rough-and-tumble albums Knuckles Up and Jungle Of The Midwest Sea, captures both the nostalgia of brass tacks street punk and hardcore as well as inspiration taken from traditional Celtic folk. Within this musical fury, FLATFOOT 56 attacks dark and pressing subject matter—avarice, strength, faithlessness, courage, and cowardice—that speaks volumes of the values and principles on which the band was founded.

The band’s new album, Black Thorn, was released on Old Shoe Records in the United States, Stomp Records in Canada, People Like You Records in Europe, and Big Mouth Japan in Japan.

Links

http://flatfoot56.com/toil/
http://www.twitter.com/flatfoot56

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