Laibach, “The Whistleblowers” video.
Track taken frtom the 2014 album “Spectre”, now available.
Video directed by Morten Traavik.

DOP: Valdis Celmins
1AC: Janis Jurkovskis
2 AC: Miks Ramans
Art director: Kristaps Epners
Costume designer: Jurate Silakaktina
Make-up artist: Viktorija Safronova
Gaffer: Juris Zemitis
Line producer: Agne Skane
Editor: Gatis Belogrudovs
VFX: Madars Upitis, Jaroslavs Kreilis
SFX: Janis Kreituss
Colourist & online editor: Kriss Rozins
Sound: Artis Dukalskis

Laibach is a music and cross-media group from Slovenia established on the 1st of June, 1980 in Trbovlje. The name of the band is the historic German version of the name Slovenia’s capital Ljubljana. From the start Laibach has developed a “Gesamtkunstwerk” – multi-disciplinary art practice in all fields ranging from popular culture to art (collages, photo-copies, posters, graphics, paintings, videos, installations, concerts and performances). Since their beginnings the group was associated and surrounded with controversy, provoking strong reactions from political authorities of former Yugoslavia and in particular in the Socialist Republic of Slovenia. Their militaristic self-stylisation, propagandist manifestos and totalitarian statements have raised many debates on their actual artistic and political positioning. Many important theorists, among them Boris Groys and Slavoj Žižek, have discussed the Laibach phenomenon both from an analytical as well as critical cultural point of view. The main elements of Laibach’s varied practices are: strong references to avant-garde art history, nazi-kunst and socialist realism for their production of visual art, de-individualisation in their public performances as an anonymous quartet dressed in uniforms, conceptual proclamations, and forceful sonic stage performances – mainly labelled as industrial (pop) music. Laibach is practicing collective work, dismantling individual authorship and establishing the principle of hyper-identification. In 1983 they have invented and defined the historic term ‘retro-avant-garde’. They creatively questioned artistic ‘quotation’, appropriation, re-contextualisation, copyright and copy-left. Although starting out as both an art and music collective, Laibach became internationally renowned foremost on the music scene, particularly with their unique cover-versions and interpretations of hits by Queen, the Rolling Stones, the Beatles, etc.

Buy “Spectre” here :
http://spectre.laibach.org/order-spectre/

Deluxe CD: http://smarturl.it/SpectreDeluxeCD
CD: http://smarturl.it/spectreCD
LP: http://smarturl.it/spectreLP
iTunes: http://smarturl.it/spectreiTunes

SPECTRE TOUR
http://www.laibach.org/future-events

Laibach :

http://www.laibach.org/
http://www.facebook.com/laibach
http://vk.com/laibach_official
http://www.youtube.com/laibach
http://www.last.fm/music/Laibach
https://twitter.com/laibachinform
https://google.com/+LaibachOrg

Laibach

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Heldmaschine : “Propaganda”

On February 7, 2014, in Germany, Industrial, Metal, by admin

Heldmaschine, “Propaganda”.
Video shot by Mark Feuerstake.

New Album “Propaganda” out on March 28, 2014.

iTunes : https://itunes.apple.com/de/album/propaganda-ep/

Bio

What makes a band like Heldmaschine (Ex-Völkerball) call their first album ‚Weichen + Zunder’ (Turnouts + Tinder / Wonders never cease) ? Well – it’s the times we live in. When Heldmaschine started writing their songs, reactors were burning in Fukushima. When Voelkerball went into the studio to record, London was burning. Or was it Paris ? But Heldmaschine come from Germany. Which means there is a certain inheritance – and they do come into it. They get Tom Dams, producer of electronic music legend Klaus Schulze, aboard. They are all children of poets and philosophers. And the world we live in can take much more plain truth. Heldmaschine simply speak that truth – that’s all there is. They use rock-hard drums, guitars straight in your face and razor-sharp synth lines. And frontman René Anlauff permanently oscillates between Dr. Mabuse and Nosferatu. Or was it Dr. Seltsam and Frankenstein ? However – it’s loud and hard, it’s polished boots – right in the big lie’s face.

Wonders never cease ! Didn’t you see them coming ? They shine… for you to understand …. (from the song ‚Weichen+Zunder’)

“Propaganda” Tour 2014

Heldmaschine - Propaganda Tour 2014

Heldmaschine :

http://www.heldmaschine.de/
https://www.facebook.com/Heldmaschine
https://twitter.com/Maschinenfunk
http://www.youtube.com/user/VOELKERVISION

Heldmaschine

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CarrusHell : “Por Cambiar”

On September 8, 2013, in Industrial, Metal, Spain, Spanish lang, by admin

CarrusHell, “Por Cambiar”, el primero vídeoclip oficial de su álbum debut “El Juego Tiene Que Seguir”, realizado por Jotac Furia en Blacklab22.

Los antiguos componentes de Total Cannabis Addiction vuelven bajo el nombre de CarrusHell, Metal Industrial desde Elche (Alicante).

CarrusHell :
https://www.facebook.com/carrushell
http://www.youtube.com/user/CarrusHellOficial

CarrusHell

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