Laibach, “The Whistleblowers” video.
Track taken frtom the 2014 album “Spectre”, now available.
Video directed by Morten Traavik.
DOP: Valdis Celmins
1AC: Janis Jurkovskis
2 AC: Miks Ramans
Art director: Kristaps Epners
Costume designer: Jurate Silakaktina
Make-up artist: Viktorija Safronova
Gaffer: Juris Zemitis
Line producer: Agne Skane
Editor: Gatis Belogrudovs
VFX: Madars Upitis, Jaroslavs Kreilis
SFX: Janis Kreituss
Colourist & online editor: Kriss Rozins
Sound: Artis Dukalskis
Laibach is a music and cross-media group from Slovenia established on the 1st of June, 1980 in Trbovlje. The name of the band is the historic German version of the name Slovenia’s capital Ljubljana. From the start Laibach has developed a “Gesamtkunstwerk” – multi-disciplinary art practice in all fields ranging from popular culture to art (collages, photo-copies, posters, graphics, paintings, videos, installations, concerts and performances). Since their beginnings the group was associated and surrounded with controversy, provoking strong reactions from political authorities of former Yugoslavia and in particular in the Socialist Republic of Slovenia. Their militaristic self-stylisation, propagandist manifestos and totalitarian statements have raised many debates on their actual artistic and political positioning. Many important theorists, among them Boris Groys and Slavoj Žižek, have discussed the Laibach phenomenon both from an analytical as well as critical cultural point of view. The main elements of Laibach’s varied practices are: strong references to avant-garde art history, nazi-kunst and socialist realism for their production of visual art, de-individualisation in their public performances as an anonymous quartet dressed in uniforms, conceptual proclamations, and forceful sonic stage performances – mainly labelled as industrial (pop) music. Laibach is practicing collective work, dismantling individual authorship and establishing the principle of hyper-identification. In 1983 they have invented and defined the historic term ‘retro-avant-garde’. They creatively questioned artistic ‘quotation’, appropriation, re-contextualisation, copyright and copy-left. Although starting out as both an art and music collective, Laibach became internationally renowned foremost on the music scene, particularly with their unique cover-versions and interpretations of hits by Queen, the Rolling Stones, the Beatles, etc.
Buy “Spectre” here :
http://spectre.laibach.org/order-spectre/
Deluxe CD: http://smarturl.it/SpectreDeluxeCD
CD: http://smarturl.it/spectreCD
LP: http://smarturl.it/spectreLP
iTunes: http://smarturl.it/spectreiTunes
SPECTRE TOUR
http://www.laibach.org/future-events
Laibach :
http://www.laibach.org/
http://www.facebook.com/laibach
http://vk.com/laibach_official
http://www.youtube.com/laibach
http://www.last.fm/music/Laibach
https://twitter.com/laibachinform
https://google.com/+LaibachOrg
Umek & Uto Karem, “Crossing The Lines”, release date: 6.2.2012 on Beatport.
More info on UMEK:
http://fb.me/umek.si
http://soundcloud.com/umek
http://www.twitter.com/umek_1605
More info on Uto Karem:
http://fb.me/UtoKarem1
http://soundcloud.com/uto-karem
More info on [1605]:
http://fb.me/sixteenofive
http://soundcloud.com/sixteenofive
UMEK & Beltek – Out Of Play [Album on Toolroom Records] by UMEK
Digital release date: 7.11.2011
CD & iTunes release date: 20.11.2011
http://fb.me/umek.si
http://fb.me/beltek.si
http://www.toolroomrecords.co.uk/
Released by: Toolroom Records
Release/catalogue number: TOOL147
Release date: Nov 7, 2011